Guide Origine du nom de famille BERRY (Oeuvres courtes) (French Edition)

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S'y hisser fait se sortir non seulement de l'impasse, mais aussi du rang. Sortir, sentir, atteindre ce que nous touche, et aimer comme on est. L'humour englobe le tout. Un prototype au sens propre.

Des machines, des claviers, une batterie, une guitare. Au contraire : vibrante et grondante. C'est dire.

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Eric Chenaux est un martien qui joue de la guitare. Qui regarder. Il devrait. Un projet collectif, humaniste, ensorcelant. Dieu seul le sait. Ce serait une vie comme un long morceau, avec ses silences, et avec son vacarme. Gaspar Claus est l'un de ces mages capable de faire graviter autour du son un centre d'art contemporain entier.

Read e-book Origine du nom de famille BARBOTIN (Oeuvres courtes) (French Edition)

De ceux qu'on n'oublie pas. Sourdure joue une musique primitive mais son nom rime avec futur. In a different manner to France, it creates a very French kind of trance music. Ruth Rosenthal et Xavier Klaine n'aimeraient sans doute pas que l'on commence ainsi leur portrait. Grand Luxe! His latest is an other effortlessly lovely solo set that recalls John Martyn , Marc Ribot , Arthur Russell and the Hardanger fiddle tradition, as it weaves trippily between improve jazz, electronica, folk-drone and lounge balladry.

More heartmelter than skullsplitter - but just as ruinous. The way he plucks notes is refreshingly unsteady, his solos and riffs dislocated by abrupt silences and shifts in tempo. On record, these are already startling, but live he takes them to new heights, settling himself somewhere in a magical netherworld between Jandek and the aforementioned Neil Young.


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Chenaux 's combination of hacked music box guitar experimentation and lonely lounge crooning conjures a spell simply too enchanting to break. J'en redemande. Une claque, je vous dis. What remains is an album that is as abrasive as it is comforting; bracing even as it embraces.

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Its a truly wonderful experience that deserves to ferment, grow, and soar. His improvised style of playing seemingly random, free-form compositions punctuates the juxtaposition of guitar and voice.

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Un superbe hommage. Vaporeux oui…Il faut bien poser le mot.

CLASSIQUES ET INEDITS 1929 - 1956

De la belle ouvrage. Organique, cru, touchant et magique. Ne cherchez pas plus loin. Ses progressions harmoniques sont superbes, et sont remplies de cassures et tournures inattendues.

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Un sur chaque face. Le public ne sait plus ou regarder.

Annie Lewandowski still sounds dazed and glazed, as if in a post-traumatic state. This was rather disorientating for the audience who were all in the middle, but this only added to effect. For the most part each band took it in turns to start individually, with the sole lighting and focus on them, but then the rest of the room would kick in towards the end. It really was mightily impressive. Each band takes turns playing some of its own tunes unaccompanied allowing the other three to take a blow before bringing in the full orchestra for a rousing collective outro.